And when I awoke,— With the harp against her shoulder Looking nineteen And not a day older, A smile about her lips, And a light about her head, And her hands in the harp-strings Frozen dead. She wrote over two hundred sonnets and lyric poems and is renowned for her mastery of rhyming meter and style. Her use of frank and accessible imagery has made her poems popular among generations of readers.
If I should learn, in some quite casual way, That you were gone, not to return again- Read from the back-page of a paper, say, Held by a neighbor in a subway train, How at the corner of this avenue And such a street so are the papers filled A hurrying man-who happened to be you- At noon to-day had happened to be killed, I should not cry aloud-I could not cry Aloud, or wring my hands in such a place- I should but watch the station lights rush by With a more careful interest on my face, Or raise my eyes and read with greater care Where to store furs and how to treat the hair.
This poem is about meeting people and the impact they have on your life. Vincent Millay has, I believe, over the course of her life, one way or another, changed upon meeting certain people.
They might have changed her way of seeing things and how to appreciate them. I believe this poem is the mirror of her thoughts and the way her view of life changed over time.
We already know Millay wrote about her lovers, nature, her opinion on media and such, but I think it is important to indicate that some of her less known poems show a great part of her life and thoughts.
On the other hand, this sonnet could show how social norms are so suffocating and overwhelming that she would hide her pain upon discovering the death of a loved one until she was out of the subway, as she would not want people to judge her or have them see her crying and in pain.
This is suggested with the following lines: The theme of this poem is grief. To start, the speaker of this poem is the writer, Millay, herself, and the audience is the reader, but more specifically someone she knows.
It could be a friend, a member of her family or a lover. It contains fourteen lines, and the correct Shakespearean sonnet pattern, which is the following: Every line begins with a capital letter and there is correct punctuation.
It also contains one enjambment and a total of ten masculine rhymes and four feminine rhymes. People often forget that life is fragile and short, that they might die tomorrow.
That even if she does not cry that it will affect her everyday life starting from this very moment.
Throughout much of her career, Pulitzer Prize-winner Edna St. Vincent Millay was one of the most successful and respected poets in America. She is noted for both her dramatic works, including Aria da capo, The Lamp and the Bell, and the libretto composed for an. Vincent Millay E nd What lips my lips have kissed and where and why Poetry from ENG at Grand Canyon University. Find Study Resources. Main Menu; Vincent millay e nd what lips my lips have kissed and (n.d.). “What lips my lips have kissed, and where, and why” – Poetry Foundation. Retrieved June A reading of the sonnet ‘What Lips My Lips Have Kissed’ by Edna St. Vincent Millay. This is followed with an analysis of the sonnet’s sense of form and voice by Fay Godwin.
According to the second hypothesis of the story behind this poem, though, she could also be looking at the magazines or newspaper or advertising for fur to hide her pain and distract herself from the harsh reality and push her grief and sadness away.
To conclude, Among the poem are two consonances: All the lines are written following the iambic metrical foot system.Professor Israel Written assignment 2 23 October Analysis of Edna St. Vincent Millay’s “What lips my lips have kissed, and where, and why” The poem entitled [What lips my lips have kissed, and where, and why] by Edna St.
Vincent Millay, is a very forward thinking sonnet of its time. Most sonnets are dedicated or about one single person. “What lips my lips have kissed, and where, and why” By Edna St. Vincent Millay.
Oct 06, · You may have noticed when reading Millay’s sonnets that she challenges the traditional passive role that women are often placed in within love poetry. Millay’s “What lips my lips have kissed, and where, and why” not only is told from a female perspective but also presents a frank discussion of female sexuality.
Mar 08, · "What Lips My Lips Have Kissed" by Edna St.
Vincent Millay In the poem "What Lips My Lips Have Kissed," the speaker feels particularly alone as a rainstorm pounds on her windows. She painfully recalls the company and love of men, whom she once had with her during these nights, that will never again come for her. An Analysis. An Analysis of the Sonnet What My Lips Have Kissed, and Where and Why by Edna St.
Vincent Millay. 3, words. 10 pages. The Pain of Losing a Loved One in the Sonnet of Edna St. Vincent Millay. words. An Analysis of Edna St. Vincent Millay's Poetry in the 's. words. 3 pages. In Millay's poem, "What Lips," would you say this is a Petrarchan or Shakespearean sonnet?
In what ways does it not follow either model? What is the rhyme scheme? Why does the speaker compare herself to a tree in the winter (9)?
What is the tone of “[What lips my lips have kissed, and where, and why]”? Is it sad, morose, triumphant.